Plain Speak: So called critics, or imho self congratulatory presumptuous ‘opinionators’, its made to appear, are having a field day spewing venom against their arch rivals Magna publications of Stardust, the producers of Bhram to get even or perhaps settle personal scores all in the name of a ‘Bhram review’. My question is : Why bring in Bhram? Why take potshots at the film? Weirdos..“Yunfair I say” ..aka Rajnikantham!! Yena rascala..mind it!! Naansense! Honestly how do these guys look at themselves in the mirror and not cringe?
That aside, the fact is there are plenty more, as is obvious from the number of ‘neutral’ critics who have raved about the film, who dont play games while reviewing movies,who dont have bosses or ex bosses sending them reviews to publish, neither are they pressurised to pleasing ‘friends’ they owe one to, so loyally tear down a rival film (too threatened by its craftsmanship) ,most of all they are not greenhorns, just out of their nappies and handed the simplest job of all, which reads..’ you like story.. you laugh.. therefore good film’…or ‘ cheap thrills .therefore great film’.. end of review.
Some critics actually have at least a rudimentary knowledge of film making (one in a hundred) coupled with a soul ( one in a million) and can sift out a genuine effort towards evolved cinema like Bhram from copies of Hollywood hits right from dialogues to shot takings.. which is indeed heartening..Kudos.
Trust me when I say that the goings on are too cheap and crass to expand on. The identity of those behind the meticulously planned campaign to denounce the film is shocking!! You’d Never guess!! Unless you belong to the media and have first hand information ! How many reviewers/ critics/film analysts who pride themselves at being connoisseurs have actually cared to go deeper at the reasons for the obvious ’smear campaign’ ? Most are busy copy pasting one review into another, following ,like a herd of sheep.
Have ‘reviewers’ bothered to notice the eye to detail, despite a measly budget, in all departments, sound, background score, cinematography, shot takings, treatment or simply, finesse brought forth technically, which perhaps one gets to see only in big budget or maybe say a Mani Ratnam film ? Oh No Sirree..That does not fall within the purview of a review according to their stunted sense of film critiquing!! Its so much simpler to follow dictates of vested interests, or at most ‘humph’ on a few dialogues, and get your bucks.
Nonetheless it is unneeded to acknowledge and respond to the handiwork of such minds since their unwarranted banal harshness is recognisable. But for those who can and who wish to analyse and dissect, the truth is out there shining as clear as daylight.
C’mon its childs play to pick out a genuine review from a one pregnant with hidden motives and devious agendas. You only have to recognise the obvious over dose of ‘hate’ and malign and teeny weeny scant statements, almost non existent, as to ‘what’ in the world was the valid objection!!
Meanwhile..See the film for yourself sans pre conceived notions and ‘influenced’ mind set…its worth it.
Finally, a film holds its own energy..irrespective. Either way Bhram is attracting more crowds all over, in comparative terms despite lack of promotion. Notwithstanding, success or non, is hardly a parameter to gage worthiness of art per se.. ‘One two three’ I believe is a hit 
Bhram therefore remains what it is, a progressive, mature, stylish film, definitely a trend setter in its approach and outlook technically, superbly crafted which amalgamates art with mainstream, never didactic, but neither does it skirt or coyly desist from portraying the life of its characters unapologetically and sans hypocrisy.
One has personally heard nothing but immense praise for the film by those who have seen it and those who are genuinely interested in seeing the face of emerging Indian cinema. A film made with sincerity, tons of hard work and passion . Recommended watch..
At the risk of re iteration ..form your own ‘opinions’ by seeing the film . Why chew on anothers chewed cud, thereby virtually permitting your choices to be hijacked by hidden agenda’d ‘opinions’?
If you have to watch it on a DVD, wait for the official version, ..It would be a crime otherwise, not just legally but for the fact that all you will get is a petered down, distorted, lifeless version of the film, devoid of finesse in all departments.
And it will be even more criminal if ‘reviews’ are then written based on pirated dvd viewings..not only is that NOT a Directors cut ( which btw even the final prints released in theatres, wasnt..portions were randomly deleted without the Directors approval causing great confusion in the continuity of the story) but its half a film cinematically.. So summon up your ethics pals!!
Bole to.. samajhdar ko ishaara kafi hai boss
Misinformation, dictated by hidden motives is rampant. How many know that the Director Pavan Kauls previous film ‘SSSSHHH” netted close to 5 cr ( source : ibos) in 4 weeks, only on domestic Box Office returns. Adding music, overseas and dvd rights etc. it must have definitely crossed 6 cr..but it was referred to as a ‘flop’ by various sources..when, considering it was a small budget film, it was most certainly an above average scorer if not a hit..
The problem with Indian cinegoers is that they are too dependent on ‘fed’ news..too lazy to have their own opinions, yet ever ready to parrot to all and sundry what they have heard/read/ without bothering to verify! Its more thrilling for most, to rip apart a film, ( believe me some have done it without even having seen the film) ..that to them means a “thriller”.
Its the time of 20/20 and IPL..instant results, instant chills, instant thrills, instant judgements…No wonder the ’sold out media’ is getting more powerful by the day since they can actually shape public views of the illiterate junta. No wonder Amitabh Bachchan decides to blog, giving voice to his frustration at having been at the mercy of irresponsible, unethical, vicious journalists for so long.
Anyways
Update 7th April: Bhram has been the biggest gainer in its music sales as compared to all other recent releases. But is it being publicised? No.. So.. got my point? Finally work shows. I believe the Director rejected several songs and spent months on getting what fitted his film. ..so said Pritam himself and the other music duo Siddharth Suhas in their interviews.
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The music of Pavan Kauls Bhram, an intense, offbeat, slick,romantic drama/ thriller, has, as of yesterday reached #14 in Top 20 of All India sales ( latest is #11)
.It is no wonder really, the music has been widely appreciated for its variety as much as for its beats and melodies as in e.g. Jaane kyun’ by Sonu Niigam. The director Pavan Kaul had selected this number after endless sittings with Pritam who had it on his laptop in its original form as ‘Ghare Pheraar Gaan‘, composed by the Kolkata-based 70’s music group Mohinder Ghoraguli, in an effort to zero in on the most suitable melody which would signify the core of Bhram, which he finally found in this song. Pritam’s contribution to its orchestration and arrangement cannot however be overlooked..he has done a fantastic job. Sonu Niigams rendition is as always par excellence! (more…)
