O.P.Nayyar…Not forgotten
Kaveetaa Kaul
We are proud to be the largest collection of O.P. Nayyar fans on the web..Welcome!
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Update: You can listen to the podcast of my tribute in a programme dedicated to the Legendary O.P. Nayyar on PodioIndia Ep 31
Updated: 28th Jan07: A legend is no more.Shri O.P. Nayyar has passed away. An era has come to a close with him. None can replicate him and never will there be another Nayyar saab..May his soul rest in peace and in the knowledge that he is loved, admired, respected and will never be forgotten..
The finality of death is stark. One cannot die with the dead.. at best can mourn for them.. Let us feel solace in the fact that he perhaps lives on in his melodies, and will continue to do so for aeons. The sadness that creeps in at such news is beyond words.
He suffered a cardiac arrest all of a sudden, probably still under the care of his foster family, in Thane..the destituteness of his last 12 years, when his family allegedly forsake him, a witness to the vagaries of life…sad but true.
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Who can forget the lilting, romantic numbers unforgettable renderings, which had a distinct feel, recognisable in the choice of accompaniments, the piano, sax, acoustics and then the soulful strain of melody..
*Pukarta chala hoon main.. galli galli bahaar ki..bas ek shaam zulf ki..bas ikk nigaah pyar ki
*Chain se humko kabhi aapne jeene na diya (electrifying combination of asha Bhosle and O.P)
*balma khuli hawwayein.. mehki hooyi fizaayein, dil chhahta hai mera, behekna iddhar uddhar
*Woh huns ke mile humse..hum pyar samajh baithe
*Aap yunhi agar humse milte rahe.. dekhiye ek din pyaar ho jaayega (makes you want to fall in
love all over again)
*Sawan ki ghata chhayi, yeh dekh ke dil jhooma.. lee pyar ne angdayi , deewaana hua badal. (Rafis attitude..unbeatable)
*Aap ke hassen rukh..pe aaj naya noor hai..mera dil machal gaya..toh mera kya qasoor hai
*Ishaaraon ishaaron mein dil lene wale bataa yeh hunar tune seeha kahaan se
*humdum mere maan bhi jaao kehna mere pyaar ka..
*Poochho na humme hum unke liye, kya ya nazrane laaye hai, dene ko mubarak baad unhe aankon me aansoo aayen hain”
The list is endless..I can go on and on.. singing and typing.. reliving the days of school and college competitions when many of his compositions had led me to the coveted goal.
The news that fate had dealt him a rather severe hand, chokes one with despair. Apparently, his family had forsaken him and he had to seek refuge with some kindly souls who took him in as their guest…for the last few years..as reported . The vicissitudes of life can daze even the most unfazed by emotion. But the smile never left him, nor did the glow from his face. I guess this is the mettle saintliness depicts. A calm beatific demeanour, even if everything material has been lost.
My father always said “chadhte sooraj ko hi salaam hai”..Who worships the setting sun, its only the rising which is heralded.
This man a powerhouse of talent, perhaps the only Music Director of those days whose name would appear on the billboards of the films over and above the cast and crew and read something like ‘O.P.Nayyars so and so”. Today he is forgotten, unknown, to most .
In the days of yore, when his contemporaries were stalwarts who were steeped in classical training like S.D.Burman, Naushad, Jaidev, Madan Mohan, he was perhaps the only music director who could not read music and had no classical training. Imossible to believe if you hear ‘Chhota sa balma, anknhiyan neend chura le gayo” or ‘ woh hans ke mile humse’. Every nuance of the ‘harkatein’ and ‘murkiyaan’ perfectly placed. His heart spoke and he recorded music which has eventually defied time. I cannot recall any of his tunes, being unsuccessful, which is a commendable feat in itself.
His signature tune with the hoof clicks in songs like ‘Maang ke saath tumhaara‘ or ‘haule haule saajna’ from Saawan Ki ghata, was unprecedented. Use of the ’sarangi’ was innovative ..in fact he must have been the first to embellish his songs with its soulful strains.
I remember seeing him recently on the musical show “Sa re ga ma pa” which I watch because of the high calibre of the participants, where he was accorded a standing ovation by the audience and a programme was dedicated to just his songs. His quiet dignity and poise apart from his signature white attire and hat, made him a striking picture of health and elegant calm.
Who could have imagined that after the adulation and celebration of an hour of the show, he returns to an almost monastic solitude of either a Hotel room or an adopted family !!
What is fame, then, in the final analysis. Only a fickle food on a shifting plate. A recognition by those who you dont know and whose concern for you is ephemeral..If this story does not prove it, none will.
‘Fame is a vapour, popularity an accident; the only certainty is oblivion”
‘chal akela chal akela chal akela- tera mela peechhe chhota rahi chal akela’..is perhaps what he bids us adieu with..
‘Phir miloge kabhi is baat ka vaada kar lo, humse ek aur mulaqat ka vaada kar lo‘..is probably what the heart yearns to say..
instead we have to accept reality and murmur ‘ Bahut shukriya badi meherbaani’.. your songs are imcomparable, and will never fail to tingle us with the joy with which you have composed them!
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Sohail Rana music composer from Pakistan famed for the hauntingly melodious ghazal, one of my absolute favourites ‘ Mujhe tum nazar se gira toh rahe ho, mujhe tum kabhi bhi bhula na sakoge’...speaks emotionally of his last call to O.P Nayyar Saheb a month back..scroll down comments.
Ashwini Karandikar, his adopted daughter too has left a comment, on her life with the legend.
Ashraft through his comment has informed us of his passion for O.P.Nayyar’s music and that he has laboriously collected every single song composed by the maestro. Incredible! True passion and grit which needs to be lauded. Priceless treasure is now his!
Siraj Khan who has been writing the biography of O.P.Nayyar Saheb, exclusive rights for which had been granted to him by the maestro, had commented on this post last year as well.. Please read his tribute and of his plans for the book.
Kaveetaa Kaul
Friends please click on the header of the video box ‘Kavees Video collection’ . It will open a page which has on its left a category ‘ O P Nayyar hits’ and lower in the Community section a contributor ‘O P Nayyar Hits(me , trying to display build another vodpod for Op ji on this page , didnt happen so inserted it as an option here )
Clicking on the category ” O.P. Nayyar Hits” will bring you to a collection of his songs, which you can listen and watch…something I do often to uplift my spirits.
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Kaveetaa,
it is sooo sad..the industry is heartless..here today gone tomorrow.
when i hear his songs now, I will always remember this article.
Comment by puja — April 16, 2006 @ 3:29 pm
But it is rare that he is out of the house and his family is in luxury..
speaks a lot about the man.
Comment by Anonymous — April 16, 2006 @ 4:23 pm
God ..these songs.. I love them..I had no idea these were his!
But then he was so much before my time.. I am only 20. Todays lot is good too.
But his is different..clean and melodious
Comment by Monica — April 16, 2006 @ 6:08 pm
one of my absolute favourite…how many nights have i spent listening to ‘ phir wohi dil laya hoon’ and ‘ek musafir ek haseena’
he was awesome…
must do a post on him for sure…
may i quote a song that he composed written by another genius
Kaifi Azmi
” andhere kya ujaale kya
na yeh apne na woh apne
tere kaam aayenge pyaare tere armaan tere sapne
zamana tujh pe ho barham
na aaye rahbar mausam
bahaarein phir bhi aati hai
bahaarein phir bhi aayengi”
Comment by silbil — April 17, 2006 @ 8:59 am
Puja,
why just the industry.. I think it is true of the universe in general.Nobody has time to maaintain ties ..emotions are the most useless emotion to nurture in these days of materialism..
Anonymous.. yeah. Come to think of it. He seems to have taken on the struggle for himself. I maybe wrong but I sensed a detachment and yogic air about him. He did not the least look as if he was cursing his situation or juncture in life. Very resigned to it and witnessing it all with a calm. The smile on his face seemed to say it all.
Monica..He was before my times too. but his music is timeless. We grew up with R.D., but I loved O.P. always. And still do. He is unmatchable and inimitable..
Silbil,
yes.. I loved the song you mentioned..’woh hans ke mille humse’ is also from the same film and Kaifi Azmi..The last of the mohicans..kaifi Saab.You remember ‘waqt ne kiya kya haseeen sittum’ from Kaagaz ke phool? Neither those makers. nor lyrics, nor music..Itna thehraav. Today everything has to be pulsating alive or then it is re-mixed to be so. Wonder why?
Comment by Kaveetaa Kaul — April 17, 2006 @ 11:31 am
Lovely songs .. O.P.nayyar.
Thanks kaveetaa. I think you have done hima great sevice by bringing up his story. It needed to be told. Personal live and public lives are always diverse. God does not give everybody everything. But if he is stoic about it as you have said , then he has been blessed. I just have to download more of his songs on my i-pod.
Comment by Neha — April 17, 2006 @ 12:09 pm
Thanks Neha,
I guess the purpose of blogging is to bring out issues which merit attention. If I had turned my cheek on this one, then all the years that I have loved his tunes and loved singing them would somehow have seemed fake and hollow.
How often is it that composers like O.P. Nayyar grace the planet? The man is almost 80 now. He needs to feel his life has been well lived.His talent well rewrded. Just doing my 2 bit.
Comment by Kaveetaa Kaul — April 17, 2006 @ 1:49 pm
nAYYAR SAHIB WAS MUSIC DIRECTOR OF MY ERA.1950-1970. Remember Dilip ji and vyjaynti mala ji film NAYA DAUR, and the song. ude jub jub zulfein teri..and old movie of GURUDUTT.mr and mrs 55. the song PREETAM AAN MILO.such was the melody now difficult to find.
May God bless NAYYAR DA WITH LONG ,AND HEALTHY LIFE.
Comment by rahim chundrigar — August 5, 2006 @ 5:58 am
Ji rahim saab..He deserves a lot more from our generation as well. Legends such as him are hard to come by. His name is synonymous with melody and will remain so. I love that song from naya daur I think.. “maang ke saath tumhaara maine maang liya sansaar”..I was not born then I think.yet it struck a chord.. there is something timeless about his melodies.
Comment by kaveetaakaul — August 5, 2006 @ 12:30 pm
a nice post about op nayyar. didnt know much about him, but what i read here was admirable!
Comment by tarini — September 13, 2006 @ 12:43 am
Thanks Tarini. He is a legend. They dont make it like ‘em anymore..RD burman, Sd burman, OP Nayyar, Madan Mohan..These geniuses relied on nothing but melody..Accompaniments enhanced, maybe a sarangi here and a sitar there..but it was not as if acoustics were the pillar of the song..They need to be remembered time and again or else will be forgotten underneath the noise of re-mixes.
Comment by kaveetaakaul — September 13, 2006 @ 7:30 pm
Folks
Here is a mesage from someone who is writing a biography on OPN called “OP NAYYAR - When Rhythm Was King”. The book is about 40% done and I have two publishers already interested.
Apart from my love for this great man, this will also prove that music has no boundaries. I am from Pakistan.
I have been his fan since I was 4 ( am now 54). I live in Boston but we are in regular touch. My database has even those songs which he has forgotten he has composed. We sometimes sing on the phone together. We first met in Dubai in June 1995 during OP Nayyar Nite.
Listen to
Thandi thandi hawa, mujhe unka pata (Asha/Geeta)
Chal Akela tera mela peeche choota ( Mukesh)
Aao huzoor tumko sitaron mein le chaloon ( Asha)
Akeli Hoon Mein Piya Aa ( Asha in Sambandh)
Phir Miloge Kabhi Is Baat ka Vaada( Asha/Rafi)
Hoon Abhi Mein Jawaan Ae Dil ( Geeta Dutt)
Ae Dil Ae Deewane ( Asha in Baaz 1952)
Hear out Ja ja ja ja bewafa from Aar Paar to go with Chein se hamko kabhi, the Asha classic.
OP Nayyar was a legend - big time.
Cheers,
Siraj Khan
Comment by Siraj Khan — October 22, 2006 @ 6:48 pm
Absolutely Siraj..they.. dont make legends like these any more..each song a masterpiece. All the ones u have mentioned..especialy Phir miloge kabhi. did u mean you talk to him regularly?? if so please let him know there are a host of people who love and respect him. This post gets the maximum hits..each day from those who google for him to prove that even in this age of noise from Reshamiyas it is he who is being remembered..melody outlasts all..even the sands of time.
Comment by kaveetaakaul — October 24, 2006 @ 3:52 pm
op nayyar was a great music director.hats off to him.
Comment by nishant — December 6, 2006 @ 4:24 pm
O P Nayyar is a great composer and I would say he is the God’s gift to our music. It is very sad that very juniors like A R Rehman and others already been conferred with awards like “Padmashree” and O P N was ignored always. It is high time and he should be awarded with this year’s “Dada Saheb Phalke Award” for his outstanding contribution to Music world.
Comment by G N Murty — December 9, 2006 @ 8:06 pm
Great thought Mr. Murthy..he veritably deserves the ‘Dadasaheb Phalke’ award..but all said and done, irrespective of Governmental acknowledgements, his music is such that it will outive maybe even us and our generation, leave alone his own..wherefore the need for awards! This is his greatest achievement and his greatest reward a place in all music lovers’ hearts.
Comment by kaveetaakaul — December 12, 2006 @ 3:14 pm
I have no words to express my feelings about this greatest music composer(according to me he is the best) and am a great obscessed fan of O.P. Nayyar.
Whenever I listen to his songs it takes me back to my golden days of my child hood which I enjoy and relish.
I pray that this great Music composer comes back once again and gives us lot of music for us to enjoy.
May god gives him good life.
Comment by Prabhakar — January 6, 2007 @ 11:10 am
Not a single song composed by him has been plagiarised or lifted..despite other music directors even then being ‘inspired” from other melodies. He was original, unique and one of his kind..the world will ever see another O.P. Nayyar.
Comment by kaveetaakaul — January 6, 2007 @ 11:32 am
A legend,great composer,no one can forget mr. nayyar.
Comment by RAJNEESH — January 13, 2007 @ 8:52 pm
tumasa nahi dekha… sanjeev, 28 jan 2007
Comment by Anonymous — January 28, 2007 @ 5:14 pm
How true Sanjeev..
Tumsa nahin dekha Nayyar Saheb..
May your soul rest in peace..
Om
Comment by kaveetaakaul — January 28, 2007 @ 5:42 pm
[...] Full story [...]
Pingback by Asnee: The web through my eyes » O.P.Nayyar…Not forgotten — January 28, 2007 @ 7:35 pm
Aaj ki jhooti khabar-”sangeet ke sartaj OP Nayyar nahin rahe”…OP Nayyar kabhi nahin mar sakte…..jab tak duniya main sangeet hai,OP Nayyar zinda rahenge….Nayyar Sahib, please mera salaam kabul karain….Virendra Batra
Comment by Virendra Batra — January 28, 2007 @ 10:46 pm
Great Post thanks for sharing.!!
THE BEST OF OP NAYYAR
Aana hai to aa - Naya Daur/Rafi
Chal akela chal akela - Sambandh/Mukesh
Deewana hua baadal - Kashmir Ki Kali/Rafi-Asha
Dekho bijli dole - Phir Wohi Dil Laya Hoon/Asha Bhosle-Usha Mangeshkar
Dil ki awaaz bhi sun - Humsaya/Rafi
Mera naam chin chin chu - Howrah Bridge/Geeta Dutt
Mere neendon mein tum - Naya Andaz/Kishore-Shamshad Begum
Savere ka suraj - Ek Baar Muskura Do/Kishore
Tu auron ki kyoon - Ek Baar Muskara Do/Kishore
Tu hai mera prem devata - Kalpana/Rafi-Manna Dey
Tukde hai mere dil ke - Mere Sanam/Rafi
Yehi woh jagah hai - Yeh Raat Phir Na Aayegi/Asha
Comment by sur — January 29, 2007 @ 1:26 am
He may be physically left us, he still in our hearts.
Comment by VENKATAKRISHNA NALAMOTHU — January 29, 2007 @ 8:23 am
His life reminds me of Pyasa’s meaningful song Is Ko hi Jeena kehta hain tho” & Nayyar’s own “Lakhon Hain Yahan Dilwale, Aur Pyar Nahi Milta” from kismat
Comment by Karthik — January 29, 2007 @ 9:36 am
This legend lives in our heart forever
Comment by Nishant — January 29, 2007 @ 12:05 pm
respected sir ,
i will never ever forget you .you are simply incomparable.
i have always learnt a lot from you to stay simple but still unique .
i really feel bad that OP NAYYAR SAHAB is not with us and i didn’t get chance to meet such a wonderful human being …
i just want to know why such a big celebrity didn’t lived with his family and why he lived such a hard life and being not with the family for last 12 years .
shradhanjali..
Malhotra Family
Comment by mrs.pinki malhotra — January 29, 2007 @ 8:35 pm
respected sir ,
i will never ever forget you .you are simply incomparable.
i have always learnt a lot from you to stay simple but still unique .
i really feel bad that OP NAYYAR SAHAB is not with us and i didn’t get chance to meet such a wonderful human being …
i just want to know why such a big celebrity didn’t lived with his family and why he lived such a hard life and being not with the family for last 12 years
Comment by mrs.pinki malhotra — January 29, 2007 @ 8:39 pm
O.P.Nayyar saab has left us but the indelible impress left behind in the music industry is unfathomable. OP once upon a time was synonymous with Rafi and Asha duets. What a magic he had woven! A sad and morose atmosphere used to get totally enlivened by his tunes. The lilting music and foot tapping numbers with a Punjabi flavour! Great! My favourites though are:
Chota sa baalma…Ragini; Wo hanske mile humse..Baharen phir bhi ayengi; Jaan sake to jaan … Ustad; Surma mera nirala …Kabhi andhera kabhi ujala; Thandi hawa kali ghata..Mr.&Mrs.55; Pyaar par bas to nahin mera lekin phir bhi…Sone ki chidiya…the list is endless. OP had lived a full life on his terms. Adieu, friend, my prayer is “May your tribe increase.”
Comment by Balan V.Iyer — January 29, 2007 @ 10:06 pm
Greatest of the great. If one has to take percentage of hits vs composed, I am sure his numbers would top the list. They were either tear jerkers or foot tapping numbers in a very effective - Melodious and serene.
His numbers “Yehi woh jagah hai, Yehi woh ghata hai hai” - Asha
Hai Duniya usi ke, Zamana usi ka…. Barbaat hona jiski ada ho, darde dil jiski dawa ho, sataaye ga gham kya use zindagi ka / Banda parwar - RAFI
List goes on. May his soul rest in peace !
Comment by Harvinder — January 29, 2007 @ 11:09 pm
Sohail Rana Sahab pays tributes to O.P. Nayyar Sahab below:
After a chase of almost twenty years, I was able to get contact of O.P. Nayyar Sahab. The giant of a composer and king of rhythms as he was known all over. I had the honor of speaking with him on phone almost a month back and then there were three more phone calls that I made, the calls always lasted more then forty-five minutes.
While I was talking to him about the memorable songs that he had composed from the film ‘Aasmaan,’ onwards, he would interrupt me and like a gentleman, like a mentor, and like a guru he would start praising me instead.
He even hummed and sang my song, ‘Mujhay tum nazar say gira to rahay ho.’ He said that when he heard this song he had a natural desire to meet me. I felt highly elated. O.P. Nayyar Sahab gave Aasha jee, Geeta Dutt jee, Shamshad Begum and Rafi Sahab a style no other composer gave to them. His music was unique and outstanding. He was gem of a person, very loving, very caring and very outspoken.
He actually commanded me to stay as his personal guest when I visit Bombay, which I was planning very soon. Raju is a very lovely girl who had been serving him like a daughter and took care of him twenty-four hours. This morning his soul has suddenly parted. The whole film industry, Shammi Kapoor jee, Lata jee, Aasha jee, all composers and even the Prime Minister of India has sent condolences over his sad demise.
Tonight, I rang up Bombay and spoke with Raju. She was in tears, sobbing and crying and explaining,”Baba, what shall I do without you.” She then narrated to me how he collapsed and died on the spot. He was eighty-one years of age all right but he was not suffering from any fatal disease.
O.P.Nayyar jee, as a music composer, according to him, died thirty-five years back. He was as a person very much living and enjoying good health. He died peacefully.
Ah! Nayyar jee, Aap nay hamara intizaar naheen kiya. Siraj Khan, mein aur Afshan jee to Aap say milnay Aa rahay thay. Your sudden death is a blow to the whole film industry, the entire musical world, Raju, Siraj, Afshan jee and myself. You have gone away but your music will keep you alive and no one can ever forget you.
Tumhain hum kabhi bhi bhula na sakein gey.
May God bless your soul,dear O.P.Nayyar jee.
Your well- wisher/your friend/your admirer
Sohail Rana
(Music Composer from Pakistan)
Toronto,Canada.
Comment by Sohail Rana — January 30, 2007 @ 8:30 am
I agree with all the comments on OPN. Those of us who are 50 plus grew up listening to such legends. A void that cannot be filled up. Hindi film music suffered two quick blows - Naushad saab and OPN left us in quick sucession. How many composers have been so much mourned as OPN, even when he did not seriously compose music for the last 30 years!
Comment by R.V.EASWAR — January 30, 2007 @ 10:18 am
Yes, the legend is no more. Omkar Prasad Nayyar is not amongst us. Incidentally, it is not more than a fortnight since he celebrated his birthday. The octogenarian genius left us leaving us a repository of his compositions for us to devour.
He started his career in an era where there was an oasis of composers who used all repertoires in giving the best, the likes of Madan Mohan, Naushan, Shankar Jaikishan, Roshan, S.D. Burman etc. It would be befitting to say that he was a genius as he never was classically trained composer. He strongly believed in his instincts and ingenuity in delivering best of compositions by carving his own niche. As clearly mentioned by the writer that during his hey-days, he was a much sought after composer despite an astronomical price of more than Rs 100,000 for a film he charged.
From a humble beginning from the lands of Punjab, he was born in pre-independence India and reached to his pinnacle due to tenacity and assiduous faith in his work. Incidentally, he politely refused the invitation across the Wagah border, as he was very much nostalgic in visiting Pakistan. His compositions clearly epitomized his love for his land with the mixture of pure folk and western. In this era, that is marked with re-mixes and deafening sound that is termed as music, the younger generations are deprived and denied access to these kind of musicians who never compromising in its lyrics, rhythm or melody
It was painful to read that he was away from his immediate family and categorically stated they not allowed participation in his funeral. What an end to a man, whose had to live his last moments in some others captivity and mercies, when his own have showed him the way out. Only Sharad Pawar paid his condolence and the film fraternity was missing.
It is ironic, that we the people or the governments fail to recognize the talent of people who have contributed enormously in their respectively fields. Glowing rich tributes and awards conferred to them posthumously. On what count does this matter when the person who breathed and lived music, is unable to experience the reward of his hardcore labour even during his twilight. Only prayers remains that his soul remains in peace forever.
Comment by Yasmin Banu — January 30, 2007 @ 1:12 pm
Thanks Sur..And your selection was great.Infact I think one can hardly ever go wrong as far as his exquisite pieces of melody is concerned..universally loved and soul stirring.
Venkatkrishna, there is no dout as to the love we hold for him in our hearts.
Kartik..absolutely..on the dot.
Nishant..his philanthrpy in the last decade or so, when he distributed homeopathic pills free of cost to all n sundry goes to prove that here was someone who had captured the essence of ‘living’ in the right sense of the term..truly a legend in more ways than one.
Pinki.. I guess what is finally true is ‘ kabhi kisiko muqammal jahaan nahin milta.. kahin zameen toh kaheen aasmaaan nahin milta’.
Balan.. ohh those strains..’pyar par bas toh nahin hain’..gives one goose pimples.. ‘chhota sa balma ‘ a classical based composition which apparently he had not been trained in. But I guess, its not just about this lifetime.. is it? He was born to be a maestro to defy time and generations. He was truly
incomparable , unique.. men like him walk this earth but once in a away.
Harvinder.. your list is so wonderful.. like you said , the proportion is mind boggling.. Each song hit a bulls eye. I wonder if one can get a compilation of his songs somewhere.. and make a tribute to him.. or there is the danger that the coming generation will be ebereft of his music..sadly. As indians we are deserving of knowing the talent of our Great masters, or inthis time of re-mixes and noise.. his will get lost in oblivion.. I fear that sometimes.
Comment by kaveetaakaul — January 30, 2007 @ 2:41 pm
Sohail Rana Saheb,
You are indeed blessed that you were able to establish contact with him. One can write paeans on him as a musician and as a human being par excellence. I had written part of this post last April, in the hope that he gets to know how truly admired, respected and remembered he is the world over and even today despite the fact , like you mentioned that he has not composed for 35 years. But if music be a ‘crie de coeur’ then its no wonder that it has left an indelible mark in our hearts.
In the last couple of days since his demise, the need to know about this legend is so strong that this post has received over a thousand hits..this apart from the fact that ever since its posting, there have been regular hits, everyday from music lovers wanting to know more of him. This explains all and is self evident of the phenomenon that music of his kind is created almost like a prayer from the divine to fill our being with bliss.
One can spend a lifetime savouring his songs bit by bit, and revel in the inner joy they elicit.
I would also take this opportunity to mention Sir, that your composition is as hauntingly melodious, soul stirring.. Thank You.
Comment by kaveetaakaul — January 30, 2007 @ 2:53 pm
Hey I read all the feelings expressed above and would like to thank all.Indeed Baba will live on.Rani/Raju, my dear sister, is very blessed that she was able to serve Baba till the end.I would like to clarify that he was happy till the end and he was never alone.The way Rani served him is commendable indeed.But he was not without family.We are his family,he was our Baba.Rani and myself are his daughters and Shailesh dada is his son.He had composed a song for me-”sach kahoon sach kahoon sach kahoon sach,My princess, I love you very very much”.He always called me his princess and I called him “King”.
Comment by Ashwini Karandikar — January 30, 2007 @ 3:39 pm
Hi Ashwini,
You and your family and sister Raju are indeed lucky to have been blessed with the opportunity to serve The Legendary Nayyar Saheb.. We as an audience are not privy to the details of his last years, except what the media has brought to the fore. Your revelations of your sisters unswerving devotion and love for her ‘Baba’ point clearly to a previous life connection..’tera mujhse hai pehle ka naata koi, yunhi nahin dil lubhaata koi’..If anything the glow on his face, in the snap above and the calmness of his demanour are proof of the fact that he was at peace totally and that Ashwini, Rani and Shailesh are individuals who are deserved of praise and appreciation. Its often said that we invite in our life what we are internally constituted of. Our inner world is a reflection of our outer life. You all were love incarnate and therfore received his love..
P.s.if you like you can send me a snap of you all with him. I can post it here.
Comment by kaveetaakaul — January 30, 2007 @ 3:58 pm
From today the words like MUSIC, SANGEET, MELODY, SUR all seem a bit fade and dull to me. I have a very busy life but still spend the whole Saturday morning listening to my favourite musics in a way to pay silent tribute to all those great composers,lyricists and singers. My wife becomes very surprised and speechless when she notices tears in my eyes everytime i listen to these songs and I can’t explain her how it feels when I listen to-
Tukde hain mere dilke*Pukarta chala hoon mein*Dilki awaz bhi sun*Aapke haasin rukhpe*Tum jo huye mere humsafar*Hain duniya usiki and many more. After my father’s death last month (he had a sudden cardiac arrest just like OP Nayyar saheb), these songs were the only corner where i could get a shelter in my own solitude. Now after Naushad saheb I’ve lost Nayyar saheb and I feel very sad that i couldn’t get a chance in this life time to see these maestroes and tell them ‘The GOD must have created me and my parents brought me up. But you are the ones who helped me to know who I truely am.’
Comment by Abed — January 30, 2007 @ 4:05 pm
Thanks for the comment Yasmin Banu. yes sad but true . The worth of an individual and his contribution is sometimes not recognised as much in his lifetime as it is posthumously. In the case of Nayyar saheb, however, I think that it was his decision to quit from active social life and the industry. Ofcourse that itself can be attributed to changing trends of music. The fact that so many years later we ae still reminiscing the golden days of his musical era, is testimony of his talent.
People remember his compositions today, amply clear even from the comments on this post than of any other today’s music Director. Its stupendous..this achievement. He sometimes composed songs for only one film a year , intentionally. The trend presently is to rake in the moolah, quality be damned. Any wonder then that time will testify finally who will outlast all!
Comment by kaveetaakaul — January 30, 2007 @ 7:54 pm
Strange are the ways of the movie industry. When a great personality of the past dies, people call it a great loss but in between there’s not even an iota of talk about them.The same thing happened to O.P Nayyarji. I have been a great fan of O.P Nayyar Sahab but despite a strong desire I couldn’t ever see him on any TV Channel giving an interview sharing his experiences with myriads of his fans like me. From the net I came to know about his bohemian life style. But people from the world of art are like that. The lifestyle is the manure for their artistic growth. Though it is painful for the family at times but these beings belong to the entire world, can’t be held as captive material. O.P Nayyarji was one of them perhaps. He has soothed the world with his wonderful music.Though he seems to physically no more but he will live in the minds of his fans for ever
May his soul be at peace for ever.
-Rajkumar Sharma
Comment by Rajkumar Sharma — January 30, 2007 @ 8:40 pm
As Music Director














Jai Bhavani (2000)
Zid (1994)
Nishchaiy (1992)
Bin Maa Ke Bachchey (1980)
Heera Moti (1979)
Khoon Ka Badla Khoon (197
Pran Jaye Par Vachan Na Jaye (1974)
Taxi Driver (1973)
Aisa Bhi Hota Hai (1971)
Killers (1969)
Sambandh (1969)
Dil Aur Muhabbat (196
Humsaya (196
Kahin Din Kahin Raat (196
Kismet (196
Shrimanji (196
C.I.D. 909 (1967)
Nasihat (1967)
Akalmand (1966)
Do Dilon Ki Dastan (1966)
Baharen Phir Bhi Ayengi (1966)
Love And Murder (1966)
Mohabbat Zindagi Hai (1966)
Sawan Ki Ghata (1966)
Yeh Raat Phir Na Ayegi (1966)
Mere Sanam (1965)
Kashmir Ki Kali (1964)
Phir Wohi Dil Laya Hoon (1963)
Ek Musafir Ek Hasina (1962)
Hong Kong (1962)
Basant (1960)
Jaali Note (1960)
Kalpana (1960)
Mitti Men Sona (1960)
Do Ustad (1959)
Farishta (195
HOwrah Bridge (195
Kabhi Andhera Kabhi Ujala (195
Mr. Qatoon M.A. (195
Mujrim (195
Phagun (195
Raagini (195
Sone Ki Chidiya (195
12 O\’clock (195
Mai Baap (1957)
Naya Daur (1957)
Qaidi (1957)
Tumsa Nahin Dekha (1957)
Ustad (1957)
Bade Sarkar (1957)
Duniya Rang Rangili (1957)
Johnny Walker (1957)
Bhagambhag (1956)
C.I.D. (1956)
Choomantar (1956)
Dhake Ki Malmal (1956)
Hum Sab Chor Hain (1956)
Mr. Lambu (1956)
Naya Andaz (1956)
Baap Re Baap (1955)
Milap (1955)
Miss Coca Cola (1955)
Mr. & Mrs. 55 (1955)
Musafirkhana (1955)
Sabse Bada Rupaiya (1955)
Mangu (1954)
Mehbooba (1954)
Aar Paar (1954)
Baaz (1953)
Aasman (1952)
Cham Chhama Chham (1952)
Comment by Ravi — January 30, 2007 @ 11:20 pm
I was shocked to hear OP Nayyar has passed away - those wonderful melodies - I watched Nischay only because of the music. Yes, I agree, OP Nayyar was God’s gift to us starved for good music. His melodies will never fade away.
On another note, I have read some posts here that mention his family lives in luxury, they have forsaken him etc. I cannot keep quiet as I have first hand witnessed the kindness and culture of the Nayyar family. As a child growing up in the same neighbourhood of the Nayyar family in Bombay, I would like to mention what I witnessed. We used to always be at the Nayyar home because his children and wife were extremely friendly, caring people and welcomed all into their home. OP Nayyar was not staying with them - he had chosen to stay with someone else. However, he made sure his family was terrified of him and his anger. Genius is eccentric. Everyone knew when he was visiting as the entire family’s personalities would undergo a change and they would be extra careful not to anger him. He left no stone unturned to humiliate his own children and very dignified wife. His wife tolerated him for the sake of the children. When they grew up - they rebelled against his ways. Eventually came a time when they could take the humiliation no more, and so his wife and children chose to continue their lives without Nayyarji. Unfortunately, we always choose to listen to those who speak out first. His family is extremely dignified and committed to philanthropy without washing dirty linen in public, which is why the general impression is that they forsake him. I just wished to put that record straight.
That having been said, let me reiterate, Nayyar Saab was a genius and there shall never be another.
Comment by anu sen — January 31, 2007 @ 12:22 am
Thank you very much Abid Ji, for sharing some of my very own views. Some are born great, some achieve greatness, and some have greatness thrust upon him. This Shakespearean’s Quote is synonymous with our late O.P Nayyar Sahab.
Being born as a South Indian Muslim, very much away from the active Hindi music as only Tamil was the regional language. Albeit, from my childhood days, I vividly reminiscent late night geethmala playing the soulful music. Though unable to understand the lyrics or the names of composers, the compositions embedded in my subconscious mind. As days and years passed by, when I moved to a land where Hindi / Urdu music is very much active and alive, I was very much happy integrating to the musical stores that catered to my requirements.
Subjectively, Madan Mohan Ji,, S.D. Burman Ji, Naushad Sahab, Roshan Ji, O.P. Nayyar Sahab works with lyrics of Rajinder Krishnan, Sahir Ludhanvi, Raja Mehdi Ali, Kaifi Aazmi, the renditions of Mohd Rafi Sahab, Lata ji, Talat Mehmood Ji, Hemant Kumar Ji, were always living with me. The vicissitudes of life has a strong storyline for every individual, but the reality is we have to face them defying the odds of life. What is loneliness, why do people say that they are alone? Even in a crowd, we can feel loneliness. Probably, these great would have never understood the impact of their work, their contributions in instilment of confidence, serenity and solace in our solitude. Unfortunately, these things are inexplicable how they have made an indelible mark in our way of life.
When I read about the great Madan Mohan Sahab despondent, as his works remained unacknowledged and gradually ended up in inebriation. He died with sorrow and anguish was intolerable to read. The road that leads to our crematory is very grave. Last year, when we lost Naushad Sahab, it was very painful, but again losing O.P. Nayyar Sahab it is excruciating.
I like to shower my heartfelt thanks and gratitude for the people who gave happiness and sense of belonging to this humble legend. Probably, he never realized that he belonged to the world, and will always remain the property of music lovers and soul searchers who live with his works. May his work pursue as a source of inspiration to aspirations who genuinely believe in the spirit of love, giving and caring.
Comment by Yasmin Banu — January 31, 2007 @ 1:20 pm
I have grown listening to his songs.Almost all the songs have a special meaning in my life.I can relate to each one. Everytime I happen to listen to a number its as if my youth just re appears before my eyes. I cannot think of the present lot having this kind of magic over us.Its almost half a decade ago that he began his creer and yet his songs are timeless. It is extemely unfortunate that for whatever reason he had to spend his last years away from his home, even though the media has shown the new family to be affectioate, yet it could not have been without heartbreak. He had forbidden his immediate near and dear ones from not attending his funeral as all the channels have reported, and they also did not bother to attend it means that it was unfortunate..no blames but facts are facts….simply so.
Comment by Krishnan — January 31, 2007 @ 1:25 pm
well its sad to loose someone who has done so much for the whole of the asian community i always listen at least one song on the radio of op Nayyar so every day he’ll be remembered
Comment by chhaya from e london — January 31, 2007 @ 3:56 pm
hey guys.Believe me its so comforting to know that his music will live on. The present generation below 20’s are quite clueless about his music..its a pity.they live in a world of plagiarized music and have numbed themselves to accept it as a foregone conclusion. OP Saheb set a trend for others to follow. His originality one could swear by.
Abed that was a touching post.
Yasmin..nice response. So touching. btw It was me who had commented on your earlier post.
chhaya..great.
Raj kumar..I know what you mean. But true stalwarts are less addicted to worldly praise and content in their world.
Comment by kaveetaakaul — January 31, 2007 @ 11:23 pm
I have been his greatest fan for years and we were good friends extraordinary. Once I mentioned why he never used Mukesh in his compositions and he promised to make him sing when the next opportunity arrived.This happened very soon and the result was a duet with Asha in Miss Coca Cola. He was a thorough gentleman. He talked many secrets when I was with him in Bombay.
There will never be likes of him. His music will live for ever.
Comment by M Parmar — January 31, 2007 @ 11:28 pm
Anu sen..thanks for the information.
Comment by kaveetaakaul — February 1, 2007 @ 10:12 am
Savera ka Sooraj Thumhare Liye hai
Bairagya se rahe OPN, Bairagi hamahe chod kaar chale gaye.
Comment by gajanan — February 1, 2007 @ 10:37 am
Can anybody post the tribute to OPN , if any, given by Asha Bhonsle? It would be really very disrespectful if she has kept mum over the passing away of OPN, under whose baton Asha gave some of the all time great songs. Raato Ko Chori Chori Bole Mera Kangana…. this slow paced song , with interludes of the Spanish Guitar ( please correct me if am wrong) has a spell bounding effect , even now.
Comment by gajanan — February 1, 2007 @ 10:54 am
since there are so many here who admire Op nayyar perhaps there can be a forum which speaks on how does his music be kept alive. There are chances that it might soon get lost. Youngsters even today have not much heard of him. Even if they have his songs which we are so fondly rmembering have not been heard by them..how does one then keep it alive?
Comment by Krishnan — February 1, 2007 @ 3:04 pm
Prepare a web site for OP Nayyar by collecting funds and load all his songs , I mean all into it as an audio as well as video ( the song clippings from films). Interview the stars who have sung it if they are alive and then post that as an audio and video. It will take time and money , but persons who were close to him can do this and start a web trust initially, so that it can be translated into a web site , with all the songs as mentioned ( audio and video) , with all the trademark dresses of OPN as pictures and you can also load pictures down memory lane of OPN. Well, the web is there , where else can you pay a tribute , but the web, whichs transcends borders.
Comment by gajanan — February 2, 2007 @ 7:39 am
It indeed is a great loss. But I can say that I have had him in my heart and in my music library for decades. Anu Sen has thrown some wonderful light on his personal life and I am sure his children missed a loving, caring father while growing up. It is so sad and excruciating that a Genius like him who gave so much to the world in terms of music was not able to give enough love to his own blood!!!! What a waste!!!! Whether you live in the 12th Century or 21st Century, NOTHING gives you the right to be unfaithful to your spouse and family.
No doubt that his music was uncomparable and the number after numbers he recorded in the Golden Sixties are alive even today…. My God give peace to his soul!!!
Comment by Pankaj — February 2, 2007 @ 1:26 pm
Hi Anu,
I read your post.I would like to get in touch with you.
To all the other fans I am really thankful for all the kind words but Baba has gone and I would like to request all to let bygones be bygones not because the pain will disappear but because we cannot do anything about it.I know baba since 1994 but what happenened before that is something that none of us will ever know and since it was his personal life, lets not get into it.I am sure that his family must also be in pain but its their decision and we must respect everyone.
As for Ashabai not commenting etc,it is again her personal decision.We donot know what transpired between Baba and her so we should neither expect nor comment on what is right and wrong.
Let us only remember that they made a wonderful team and have given us some beautiful music which will live on for years and years.
Comment by Ashwini Karandikar — February 3, 2007 @ 10:00 am
Pankaj
I agree with you but it seems that all geniuses have this problem.I can understand coz I have myself been through such pain.
I would still request that lets not get into personal lives coz Baba has gone but his family can still get hurt.
Yes, I, his daughter am saying this and requesting you all to remember his music and leave the rest unless you can do something about it.
Comment by Ashwini Karandikar — February 3, 2007 @ 10:06 am
Op nayyar is public property.his memory is at least. he will be loved always. But why is Ashwini karandikar ordering us around??? she is very bossy… who is she? her role in his life is not our problem.She is asking us not to get into his personal life but is doing that only. Look at her last line..”yes I his daughter”..thats not personal what? and she was not his real daughter also. She is talking here only from personal relationship..She should be grateful not hoity toity.sorry if i have hurt her. But truth is truth.
but Op nayyar cannever be forgotten I dont care about anything else.
Comment by raja harishchandra — February 3, 2007 @ 3:02 pm
You all did sing for him many times –not without a cause:
What cause withholds you, then, not to mourn for him?
O judgement, thou art fled to myopic heights
And men and women have lost their reason! –Bear with me;
My heart is with his music, there with his records,
And I must pause till it is replayed to me
( This is a modified , (changed specially for Nayyar Sahab) version of Mark Anthony’s famous speech on the funeral of Julius Caesar. Just like Shakespeare’s prose , Nayyar’s spontaneous music will last forever)
Comment by gajanan — February 3, 2007 @ 3:25 pm
kaanon se utri hai dil mein..op nayyar ki mausiqui..Woh hamesha rahenge hamare dil mein, aur hindustan ki mausiqui mein.
Comment by Irfan khan — February 3, 2007 @ 6:41 pm
I kind of worshipped OP since the time I was a primary school student in third grade in NWFP ( Pakistan). It was 1957. Although I was born in a pushto speaking area with it’s own folk music, O P Nayyar’s music opened the door for me to the glories of Indian film music. Probably, UDEE JAB JAB ZULFAIN TAREE and RESHMI SHILWAR KURTA JHALI KAA were the fist ever urdu songs that converted my mind and soul to indian film music. Subsequently, there were so many wonderful songs that followed till the time of Nischaiy. I would always love each and every song of a film when music was composed by OP NAYYAR,which I didn’t know at that time. Later ,sometime in the early sixties , I realized that it were op nayyar’s tunes which would always touch my soul and spirits..While listening to the Radio , i would always be waiting for songs from O P’s compostions. After a lapse of 4 years, he came back with a bang in 1964 with Phir Wahi Dil Laya Hoon. I still remember Radio Ceylon Commercial, probably, by Ameen Siyani as saying , ” PHIR WAHEE O P NAYYAR in PHIR WAHEE DIL LAYA HOON. I became so obsessed with his music that I started collecting each and every song compsed by him throughout his carear . Luckily, I managed to collect every film song that he ever composed. And it is a treasure of my life. To achieve this I had to scan each and every market of paksitan, inculding RainBow Centre Karachi, to collect vidoes and audios of those wonderful films–music composed by O P.. In this connection I met some wonderful people who loved Indian Film music like me. Mushtaq Abdullah ( who ran a recoding company at karachi ) helped me a lot in finding some otherwise unavailable songs.
O P Nayyar’s music is so different and unique from all other composers. It kind of travels in one’s soul—and makes one’s body to move with rythem. His tunes and use of instruments are unparallel. A true King Of Rythem. I cannot imagine any other composer of using and mixing eastern instrument, specially SARANGI with westren music in a better way than O P NAYYAR.
O P Nayyar sahib is no more with us but he will always live in the hearts of millions till music is played and listened.. May God Bless his soul
Comment by Ashraft — February 5, 2007 @ 1:15 pm
@ Gajanan, what you suggest is a great idea..about the website. perhaps we should work on implementing it somehow. .It does seem a possibility and within reach if enough like minded can come together.
Loved the Shakespeare inspired lines… heart felt.
@Ashraft,This is remarkable. You actually are in possession of every single song composed by him? It needs to be applauded and highlighted. I will update this information on the post.
Congrats for being the keeper of the treasure.. God Bless!!
P.S…in fact this gets us one step closer to the above mentioned idea of a website as mentioned to Gajanan.
Comment by kaveetaakaul — February 5, 2007 @ 1:29 pm
I was petrified and moved when I saw the news on NDTV about the unfortunate death of Nayyar Saheb I am an ardent fan of OPN I really wonder Y the almighty did not give a chance to me for serving him when his own blood neglected. I am employed in Muscat and last week there was a programme where M/s Asha Bhonsle had paticipated in the Muscat Festival. As OPN is totally responsible for Asha Didi career its moving that she had not mentioned a word of praise for OPN. How soon people forget the goodness of a human being, during his last days he had to take shelter in a friend’s house and died a orphan’s death. No human being will forgive Nayyar Saheb’s Children who had betrayed him. Even if he his at fault as a human being they should have forgiven him as he had brought them to this world and served him. His name will live as long as the Music World lives. May God bless his Soul.
G Sunder Rajan
Muscat
5th Feb 2007 17.40 hours
Comment by Gopal Sunder Rajan — February 5, 2007 @ 7:00 pm
There are some in the film world , who have mourned OPN’s death. You should contact them
In this web site , the names are given.
http://www.apunkachoice.com/happenings/20070129-0.html
One feels that Tabassum and Sonu Nigam may come forward to help you get funds to set up the web site. I am not sure , but it is a educated guess from the feelings expressed by them in the above web site. The first step is to find the cost of putting up such a web site and maintaining it. Thane is the best place for this as OPN breathed his last there and the persons who where close to him in his final years, will do it with great passion as they were the true mourners, if Shakespeare is to be invoked again.
Then when you have all the details it becomes easier to implement. Plannning may take time, but surely , one can do this. You should not hurry thru’ it. By OPN’s next death anniversary it could be ready and posted on the web. His birth and death are both in Jan so you can do it to commemorate as when possible.
Comment by gajanan — February 6, 2007 @ 6:36 am
Thanks for the compliments!!! Ms Kaveeta Kaul. Furthermore, the necessity of a website cannot be over-emphasized.
Thanks also to Mr Ravi for the list of OPN films.I will add two more names to that list. Shrimati 420 (Hum Ko Chore ke Kahan Jao gey )and Mangni .There is yet another OP movie released after Nischay and Zid in the 90s. I cannot remember it’s name at this moment.I have the complete list of OPN movies with me back in pakistan but not here in NY where I live now.
PS. Can anybody tell me where is G.S Kohli ( OPN’s assistant) these days?.His wonderful scores in SHIKARI,FAULAD,CHAAR DARWESH and NAMASTEYJI in the 60s, are so fresh in my mind.
Regards,
Ashraft.
Comment by Ashraft — February 6, 2007 @ 1:06 pm
Respected kaveeta Kaul.
I had opn’s phone number with me and wanted to call him but could never do it, delaying it to every next day. And now he is no more that I can call. I felt down and sad . I selected some poetry on his sad demise . These words gave me strength and courage to face the reality of life and this world where we live. I want to share these words with all those who felt sad and down with the demise of our beloved music director.He still lives in our hearts and speaks to us daily with his wonderful compositions.
IF TOMORROW STARTS WITH ME,,,,,,,
And I’m not there to see,
If the sun should rise and find your eyes
All filled with tears for me;
I wish so much you wouldn’t cry
The way you did today,
While thinking of the many things,
We didn’t get to say.
I know how much you love me,
As much as I love you,
And each time that you think of me,
I know you’ll miss me too;
But when tomorrow starts without me,
Please try to understand,
That an angel came and called my name,
And took me by the hand,
And said my place was ready,
In heaven far above,
And that I’d have to leave behind
All those I dearly love.
But as I turned to walk away,
A tear fell from my eye
For all my life, I’d always thought,
I didn’t want to die.
I had so much to live for,
So much left yet to do,
It seemed almost impossible,
That I was leaving you.
I thought of all the yesterdays,
The good ones and the bad,
The thought of all the love we shared,
And all the fun we had.
If I could relive yesterday,
Just even for a while,
I’d say good-bye and kiss you
And maybe see you smile.
But then I fully realized,
That this could never be,
For emptiness and memories,
Would take the place of me.
And when I thought of worldly things,
I might miss come tomorrow,
I thought of you, and when I did,
My heart was filled with sorrow.
But when I walked through heaven’s gates,
I felt so much at home.
When God looked down and smiled at me,
From His great golden throne,
He said, “This is eternity,
And all I’ve promised you.”
Today your life on earth is past,
But here life starts anew.
I promise no tomorrow,
But today will always last,
And since each day’s the same way
There’s no longing for the past.
You have been so faithful,
So trusting and so true.
Though there were times
You did some things
You knew you shouldn’t do.
But you have been forgiven
And now at last you’re free.
So won’t you come and take my hand
And share my life with me?
So when tomorrow starts without me,
Don’t think we’re far apart,
For every time you think of me,
I’m right here, in your heart.
ASHRAFT
NY
Comment by Ashraft — February 6, 2007 @ 1:26 pm
laakho.n hai yahaa.N dila vaale, aur pyaar nahii.n milataa
aa.Nkho.n me.n kisii kii vafaa kaa, iqaraar nahii.n milataa
mahafil mahafil jaa dekhaa, har dil me.n samaa kar dekhaa
har saaz pe gaa kar dekhaa
dil ko kahii.n chain naa milaa - 2
mai.n to duniyaa me.n pyaare akelaa hii rahaa
laakho.n hai yahaa.N …
is dil ko kahaa.N le jaae.n, kuchh aap agar faramaae.n
to aap ke ham ho jaae.n
kah do hame.n ha.nsake zaraa - 2
ajii jo kuchh bhii dil ne tumhaare hai kahaa
laakho.n hai yahaa.N …
Well written . Kismat Lyrics SS Bihari
Hai Ki nai, OP Sahab ke liye likha hai na
Comment by gajanan — February 6, 2007 @ 2:53 pm
Mr Harischandra,
I am sorry if I have hurt your sentiments.It was never my intention.If you read the first line-I said I am thankful for the love that all are showering.I am not at all hoity-toity but I know the pain and that is why the request.My idea is that we should forget about all the painful things and only remember the good things like his music.As far as relationships go,I was not related to him by birth but he was there just as my real father is.To me, the love and affection and the scoldings that I got from Baba are very very dear.Please donot misunderstand what I am trying to say.
Once again I am sorry if i have hurt anyone’s sentiments.
Comment by Ashwini Karandikar — February 6, 2007 @ 6:49 pm
Dear Friends
I have finally been able to gather myself together. I have been OP Nayyar’s die-hard fan since I was 4 and I am now 55. I literally idolized him and I feel that his music has shaped my personality. A part of me died with Nayyar Saheb on Sunday, January 28th 2007.
After reading such wonderful sentiments in these colums, there is still so much to write about that great man-a legend in his lifetime. I started writing his biography in February 2005, which is about 40% complete. He has given me the exclusive rights. Two publishers are already lined-up for the publication which is titled
OP NAYYAR - WHEN RHYTHM WAS KING. We spoke at least once a week. I called to greet him on January 16 on his 81st birthday but we could not speak a lot that day as he had visitors. He called me back to make up for it just four days before his death at 2am Boston time and apologized to my wife saying ” Maaf karna, Yasmin bibi, mujhe waqt ka andaaza nahee raha”. I was up like a light and we spoke for about 20 minutes and sang together for another 10-12 minutes. One of our favourite songs of Pran Jaye Par Vachan Na Jaye “Ek Tou Ae Piya jis pe dil aa gaya” and another “Ae dil ae deewanay” - a Geeta Dutt gem from his oldie Baaz. Crazy stuff, right?
We were to spend the weekend of March 3-4 together at his/Raju’s home in Thane. There were many things that he wanted to get off his chest - matters which have not yet seen the light of the press. I am still going there as per my plan, as the beggar outside his door. I speak to Raju regularly and in future will live Nayyar Saheb through her persona. She is a gem!
Kaveeta, I will be camping at the Trident Hilton and if you or anybody in the media wants to know more about my book, I would be delighted to meet him/her.Ashwini, you too. But do contact me first on the phone, through the hotel.
It bleeds my heart to say that all the prominent people of Bollywood who have paid such rich tributes to him in the press, did so from the comfort of their homes. Nobody was there at his home on his death and certainly none of them at his funeral and cremation. I guess this is the fabric that Bollywood is made of.
Nayyar the person died on January 28, but Nayyar the composer had died 30 years ago. Only his music is immortal and timeless.
Nayyar Saheb once told me that I was his second biggest fan on this planet and the the rest could fight for the first place. I am humbled. God Bless All.
Sincerely,
Siraj Khan
Boston, MA, USA
Comment by Siraj Khan — February 7, 2007 @ 5:49 am
Jasbad se aapne aap ko math toko
Dil ka aaine me dekho
aue kah do
Yu tho lakh sangeethkar dekhe
Paar OPN Jaisa Nahi dekha.
Comment by gajanan — February 7, 2007 @ 5:59 am
Dear Friends
Some add-ons from the previous letters.
GS Kohli, his capable assistant, died about 8 years ago. He was the man behind OPN’s reknowned dholak effect. He was also a talented composer but was unlucky. What a paradox that the low-budget films in which he composed music are remembered today only because of the songs and not for anything else.All flopped. Take SHIKARI ( believe it or not Ajit was the hero)
* Tum ko pya dil diya itne naaz se (Lata/Asha)
* Ye rangeen mehfil gulabi gulabi (Asha)
* Chaman ke phool bhee tujh ko gulab kehte hain
(Rafi/Lata) You have to imagine Ajit singing!
Somebody published the list of OPN films. Please pardon me to say that it has many errors and its also incomplete. But that is fine and many of us did not even have those names.
Take care
Siraj Khan
Boston, MA, USA
Comment by Siraj Khan — February 7, 2007 @ 6:08 am
Listening to OP songs has always given me the high. Sad to hear he is no more.
I am sure he will live through his music for ever.
OP never used to compose songs for the situations. Rather he used to play the tunes in his piano and tell the director to choose what he wanted. Perhaps the genius in him gave the impression to others as being arrogant. OP lost good banners due to this and past 1965 except Joy Mukherjee no big banners backed him.
OP used the Sarangi to great effect. When he came to the scene with a bang in the mid fifties the classical mould of Naushad and C.Ramachandra suffered. Feeling the heat the greatest of them all, Shanker-Jaikishen swiftly moved to Yahoo and Raag Jaaz to secure their place at the top.
Today I was listenibg to Phir Wohi Dil Laya Hoon and as I always do, wondored how and when the tunes would have struck OP.
Comment by Sanil — February 7, 2007 @ 12:57 pm
I was going through all the comments given by OPN fans and really Nayyar saab was great composer and he was always much ahed of his time. I would like to share with all OPN fans that he has composed music for a telugu film in the year 1988-89 “Neerajanam” and there were 10 songs in the film all sung by SP Balasubramaniam, S Janaki and M S Rama Rao. All the songs became very popular and are very rich in melody. In this movie OP has composed very differently and the background score was also very nice. In that same year OP had very stiff competion from other legendary south indian composers like Ilayyaraja (with 9 films), Raj-Koti, MS Viswanadahm, K V Mahadevan etc but there also our OPN has proved that he is the king and own the best music director award (Nandi Award) from Govt. of Andhra Pradesh. I salute him for his music in telugu film because he scored such brilliant music without knowing the language. After that though he got many offers in other south indian films but he never worked again.
G N Murty
Comment by G N MURTY — February 7, 2007 @ 2:00 pm
@ Gajanan,
Thanks for the suggestions. I am a firm believer in destiny and in the fact that we are but instruments in the hands of the Creator. Whatever and however, the website is to take shape, will. I will be only too glad to do all in my capacity to make it see the light of day. Let us keep our fingers crossed.
@ Ashraft Saheb,
Please do not refer to me as ‘respected’..it embarasses me. You are much senior and most respectfully Sir , I thank you for the lovely poem you have posted.
This post is beginning to feel like a treasure for me, a priceless one as well. To be the space for the collection of such loving tributes for Nayyar Saheb, from such loving, sincere fans, is indeed a great honor for my blog ‘Sachiniti’.
Your query to do with Shri G.S. Kohli has been respoded to by Ashraft Saheb. What a treasure trove of knowledge this is getting to be. I had no idea about the talent of Kohli Saheb.
Your
Comment by kaveetaakaul — February 7, 2007 @ 4:38 pm
Siraj Saheb,
Your feelings can be gaged through your comment.
Your book will be a ‘must read’ for every fan of Nayyar saheb. I am so glad that work on it had begun during his lifetime. Nothing can compensate for the loss of Nayyar Saheb. Who can possibly feel that more than you. But I am sure you must have gained invaluable information gleaned from him over the years,
I would most certainly meet you when you visit Mumbai. Will you please get in touch with me at the email address provided in the ‘About me’ page? We can co-ordinate then. Also I will post your stay and its details here for others who may be interested in meeting up as well.
The information on Kohli Saheb is really a revelation. The songs you have mentioned are wonderful…touching and replete with melody. It is such a pity when talent is not accorded the acknowledgement, appreciation and honor it so richly deserves. Fo me, nothing is more tragic than to think that an artist may have left the world pining for his art to have received an audience.
Comment by kaveetaakaul — February 7, 2007 @ 4:50 pm
Nayyar sahab the GREATEST!!!!! We’ll miss him.
I had talked to him few times and met him in 1976 when he invited me to his song recording. Wonderful guy, friendly, very active/agile, quick, swift, full of energy, talkative. I still remember him so vividly, his appearence, attire, his voice, etc.
All his songs are wonderful, but for some of you who missed his Telugu film songs, check out the Telugu film Neerajanam on Raaga.com. Great songs - Ghallu Ghallunna, Mamathey Madhuram, Manasoka Madhukalasam, Manasoka Madhukalasam, Oohala Ooyalalo
http://www.raaga.com/channels/telugu/movie/A0000035.html
- Hemant
Comment by hemant — February 7, 2007 @ 10:34 pm
Can someone please tell me the last song recorded by Mohd Rafi for OP Nayyar. OP said one time after Rafi’s death, if there was no Rafi, there would be no OP Nayyar. OP nayyar and Rafi teamed to produce the best songs in the Hindi fil industry. Songs from Kashmir Ki Kali, Ek Musafir, Naya Daur, Tumsa Nahee Dekha, Phir whi Dil Laya Hoon were all super hits. This Rafi/OP will never come again.
Comment by Asif — February 8, 2007 @ 5:26 am
http://www.bollywoodsamachar.com/ShowAllNews.asp?News=Glamsham%20News
See Jan 30 2007 news in thw above web site . This below pasted one if from the above web site. So you have Jackie Shroff and Salman Khan also as admirers. So for web site , you have some more admirers.
“Nayyar had lined up great plans in the last few weeks before he died” - Jackie Shroff
——————————————————————————–
By R.Manishaa, Bollywood Trade News Network
The late O.P. Nayyar, who was going through an identity crisis in the last few years of his life, had lined up some grandiose plans in the last few weeks of his life, one of them being a massive show in London that was to take place in June. The show had been coordinated by actor Jackie Shroff who regularly kept in touch with the music director and inquired about his well-being. “I was introduced to him by my businessman friend, Ajay Savla, a few years ago. He treated Ajay like his grandson and the two of us would meet at least once a week over dinner. Nayyar had only a month ago given his nod for a show to be held in London, which we had tried to co-ordinate through my show organizer friend in London. It is sad that he left us before that,” Jackie recalls.
Both Savla and Jackie recall that the show was a dream project for Nayyar. “He would have been happy to see his Asian fans endorsing his music there. He was eagerly looking forward to it,” he says. Moreover, he had also had a long telephonic conversation with Salman Khan, who was rehearsing for a show to be held later this month. “Salman had a lot of respect for him and spoke to him for a long time despite the fact that his show organizers were waiting for him. He and his family adored Nayyar-saab and his music. In fact, I and Jackie had lined up a meeting between him and Salman that was to take place at the end of this week,” Savla recalls.
Savla who had known Nayyar as his uncle’s friend was among the two people, with whom he shared the joys and sorrows of his life, besides his adopted daughter Rani Nakhwa. According to Savla, it was Rani who adopted him as a fatherly figure and got him to shift in her house with her family. “Nayyar saab was staying as a paying guest at Thane and Rani used to run a telephone booth in Thane, from where he would make calls to producers. She requested him to move into their house and they were kind enough to even give him a separate room. They treated him like a king in their small home, looking after his needs, tastes, likes and dislikes. He had become more than a family member to them and was staying with them since the last 12 years,” he reveals.
Savla adds that both he and Jackie were saddened by the indifference of the industry towards Nayyar, a fact which he occasionally mentioned, when he met them. “He often looked desolate and felt that some of his best friends and admirers, did not even bother to call on him,” Jackie reveals. Also, there was a point of time, according to Ajay Savla, when he had to forego his lavish style and come to terms with a simple and modest living when the payments due to him did not come. “At one point of time, he was the highest paid music director in the industry. Also, he was the only music director who commanded the entire royalty for his music and made it conditional that he would not split it with anyone. Ironically, the same companies who flourished on his music backed out of paying their royalty due to him by claiming that they were going through losses. Even the people whom he had loaned money in the industry,” Savla reveals. The biggest irony according to him was the fact that despite being one of the topmost music directors in the industry in his heydays, there was not a single Bollywood celebrity from the industry at his funeral. “There was only Anu Kapoor who made it a point to pay his respects, besides a few non-film acquaintances. More disappointing was the presence of a leading politician who used the opportunity to establish his presence in the media and simply ignored his adopted daughter.”
Comment by gajanan — February 8, 2007 @ 9:34 am
It has saddened me no end of hearing of his demise.
It is so nice to meet so many fans gathered here in one place and get to read different stories of this legend..There is so much i did not know. This is like a one stop space for O.P. Nayyar now. I will hope that more and more information on him is left here for all to read.
Thank you!!
Comment by murali rg — February 8, 2007 @ 4:20 pm
Fame and Lakshmi are the most chanchal - kabhi ek jagah tikti nahin. Guru Dutt showed this beautifully in Kagaz ke Phool. I am glad as a senior citizen, OP ji got some love and affection from his adopted family as I believe he paid for his actions in the later days.
Ashwini, I understand you saw a different side of OP Nayyar as did I - each coin has two sides.
The reason Lata and OP Nayyar never worked together (as the story goes)… When OPji was a struggling musician, Lata was already famous. She refused to work with an unknown music composer. It was Asha - her lesser known sister (at that time) who willingly sang for OPji. Later, when OP Nayyar saab became successful, Lata came to see him with a bottle of champagne. OP Nayyar took the bottle of champagne and flung it to the ground and walked off. That is said to be the reason why OP and Lata never worked together.
As far as personal lives go - fame has a price, in most cases, it is your privacy. That is the flip side to being well known and felicitated - so it is understandable the masses are always curious about the beautiful and the talented.
I sincerely wish some one would get all his songs together - oh what a blessing that would be!
I still remember him in the seventies ( I was a child) but I would hide in the building stairwell to see him - he wore a cream silk kurta and turquoise lungi. Later on when I grew up, seeing the old seventies’ movies, I realised how popular the lungi was in those days. Sulakshna Pandit was with him for a photo shoot or something. He had a huge grand piano in his flat and on his birthday the flat would be covered with red roses from the Oberoi Sheraton (those days it was a part of the Sheraton chain) florist shop.
I wonder if anyone from the film industry even bothered to send flowers, let alone, come and pay their respects to him.
As I said, Fame & Lakshmi - very chanchal and very fickle - they run away very quickly.
Anu Sen, Toronto
Comment by anu sen — February 9, 2007 @ 12:58 am
One is failing to understand , how Lata mourned OPN passing away and why still there is no comment from Asha Bhonsle. Now this song from Kismet “aao huzuur tumako, sitaaro.n me.n le chaluu.N”. Nayyar Sahab tho Sitaro me baas gaye, paar Ashaji’s silence is really stupefying. Oh !! Shakeshpeare have you written anything on gratitude. Why not myself write like the Bard. Yes !!!. Here it is.
“Oh !! Gratitude, you have adopted a deathly silence.
This web site reminds us of his music to our ears.
Gratitude why are you so dumb
To make his fans go numb.
Unleash youself , pour yourself out.
Words, tears , emotions anything will do.
Gratitude we are waiting for you to unwind your atitude.
Do it fast, Magar Pyar se”
Comment by gajanan — February 9, 2007 @ 10:57 am
I have been an ardent fan of Mr. O.P.Nayyar since the day i heard his score in the film BAAZ. Thereafter I have seen every of his film. The whether flopped or ran always had excellent music. Unfortumately all those magical tracks are not available. I still remember his haunting score in the film called “Mehbooba” made by K.Amarnath productions. If any one has the album of this picture, i shall be too gald to have it. There are numerous other films whose tracks though were excellent yet are not available like of Mr. Qartoon M.A., Johny Walker, Jaali Note, Hongkong, Basant,Naya Andaz,Frishta, Ustad, Do Ustad, Kabhi Andhera Kabi Ujala etc.
I have on my MP3 Disc about 300 of his songs which were availbe on various websites and I have downloaded them. If any one wants a copy of this disc,I shall be too glad to share it free of cost.Hats off to Nayyar Sahib.He was a GEM. His music was haunting with a unique style. He was certainly a master of rythem.My his soul rest in peace.
C.P.Sharma
Comment by C.P.Sharma — February 9, 2007 @ 12:52 pm
Ms. Ashwini Karandikar,
thanks for giving reply. Anyone who has read will see that I am right. You came here only to tell how much your sister worked for the Great man. After that as if you are saying ”bachcha log theek hai..shukriya.. par abhi bas karo” because ‘ main unki beti hoon”. We are all not coming here to talk to you. all are speaking here so much only for respect for O.P. nayyar ji so you dont have to thank us to take take credit. It is not right that people talk against Nayyar ji now, but it is also not right that you give orders like a madam of school. Thats all.
It is so good to read all the other posts. So much love here for this great man. Mr. C.P. sharma you are a great man to offer free cd’s..bless you.
Comment by raja harishchandra — February 9, 2007 @ 1:51 pm
Mr. C. P. sharma, for Jali Note songs, go to youtube.com and type o p nayyar. This will give you all songs - wonderful songs with Dev sahab, Madhubala, and Helen.
- Hemant
Comment by hemant — February 9, 2007 @ 7:11 pm
Hi Anu,
Thanx for the reply and understanding.I understand where you are coming from.Care to be friends?
Siraj-ji,
Thank you.Baba had mentioned about the book.I have always wanted to write but……Please give me the contact number so that I can contact you.I really look forward to meeting you and reading your book.
Comment by Ashwini Karandikar — February 9, 2007 @ 9:17 pm
Mestro op nayyar was in bangalore to receive the rotary award on 21 Dec. In fact, in the interval I asked him to send the cassette of Love and Murder and requested hhis grand daughter Rani nakhwa. i do not know what made me to call him on 25th Jan around six in the evening and to my surptise he was on the cell phone and remembered and thanked.He was hale and hearty and spoke wel, littel he knew nor I that death was knocking at his door step. Let his soul rest in peace.Pleasemy emoational tribute to him on my mail
Comment by moolbharati prakash — February 10, 2007 @ 3:53 pm
Dear Friends
As Kaveeta mentions, these discussions have really taken fire and we must keep throwing the charcoal in the fireplace.
This is a multiple messenger for several wonderful people whom I have come into contact with through the courtesy of Sachiniti
Kaveeta
I have just two days in Mumbai i.e March 3 and 4. I will not be carrying a cell phone but please contact me through Hilton Towers - Nariman Point. I would be delighted to meet you in person with my wife Yasmin. God Bless You for this very vibrant dialogue
Ashwini
I will be spending a lot of time with Raju during that weekend and perhaps we can link up through her.
Ashraft
If you (and any others) who live in USA, lets be in contact. My cell # is 978-621-8030.
Looks like we are on the same journey. I would love to be in contact with you and there may be a lot of things to share about that great man.
CP Sharma
Even if you make it sound simple, what else could the downloading be except labour of love. I would be truly indebted to you, if you could allow me to have a copy of the CD. I do not know where you are located but my address is
Siraj Khan
10 Atherton Road
Hudson MA 01749 USA
Email: Khansaheb2@aol.com
All
For those who may be interested, please get in touch with OP Nayyar Gaurav Granth Samiti in Andheri (West). I believe the point person is Vishwas Nerurkar.
My travel schedule in India if anyone would like to meet and talk about the great man and his unique style of composition. Waah!
Feb 25-28 New Delhi
Mar 1-2 Patna
Mar 3-4 Mumbai
Mar 5-7 Pune
Mar 8-10 Burhanpur
Mar 11-12 Agra
Mar 13-15 New Delhi
Then off to Vietnam
I carry my laptop so email contact will work
Siraj Khan
Khansaheb2@aol.com
Comment by Siraj Khan — February 10, 2007 @ 6:06 pm
Siraj Khan.
Thanks so much . I would love to be in contact with you and share /discuss our beloved composer OP Nayyar… and his music. I shall call you soon.
KaveetaKaul. It is just so wonderful to read and share our sentiments for the Great Man through this site.. Would it be possible to include a Photo section ( of Nayyar sahib ) , in this website.
Comment by Ashraft — February 11, 2007 @ 11:16 am
Everyday as I check the comments I am welcomed with amazement as i read through further snippets of Nayyar sahebs career.
@Hemant..Thanks for informing us of the compositions in South Indian languages. It was such a revelation. He was so gifted that language ofcourse could hardly pose as a barrier for a man who composed from the core of his soul.
@ Asif..That is so true. Rafi and O.P. Nayyar together with their romantic hits are as unforgettable as the ragas created by the masters of yore, and if I may add no lesser in their significance.
@ murali..Yes this space has transformed into a veriatble homage site for Nayyar saheb. Last year when I began writing this post, I had requested Siraj saheb to inform him that is yet a huge audience and lovers of his music revelling in the melody of his compositions almost half a century after their inception. I dont know why I feel that it is his blessing which has translated into this site then being a composite place for all his fans to meet, assemble and reminiscence.
@ Anu.. thanks for your information on Latas and Nayyar sahebs dis-connection musically and of your memories.
@Gajanan..dekha .. ‘aap ko shaayar bana diya..Your effort in translating grief is noteworthy..thanks.
@C.P.Sharma saheb..your offer is so kind and nobility of your soul peeps through. I would love to have a copy of his songs but only on condition that you accept atleast the cost and posting expenses..Thanks
@moolbharati prakash saheb..you can rest in the knowledge that you got to meet and converse with the maestro..unforgettable moments I am sure.
@ Siraj Khan Saheb..truly this wondrous gift of getting to meet here is awesome. I am looking forward to meeting with you next month when we can spend a few moments speaking and sharing our thoughts on Nayyar Saheb.There is information which might pleasantly surprise you.
@ Ashraft Saheb..of course I will gladly include pictures of Nayyar saheb. In fact I will try and get this post as a permanenet fixture on the Home page so that the fond memories of Nayyar Saheb which we have shared here and continue to do so, remains fresh and alive as long as Sachiniti does..Thanks
Comment by kaveetaakaul — February 11, 2007 @ 1:16 pm
I can never become a poet.
Without listening to OPN’s duet.
I can write with grief.
But gratitude is not even brief.
Probably , you sang well.
Now you feel, why say words which will sound like a frog in the well.
Don’t worry I know you are writing in silence.
and waiting for super eloquence.
Are you meditating for words?
Contemplating on songs which had memorable words.
You see , gratitude , my patience is wearing
The web is not for tearing.
I know , you are summing up the courage.
To join in the mourners entourage.
Gratitude , yeh lo , aakhri labz
In OPN’s music.
Thumhara Chahane wala Khuda ki duniya me
Thum ho kis duniya me.
Comment by gajanan — February 12, 2007 @ 5:11 am
Thumhara Chahane wala Khuda ki duniya me
Thum ho kis duniya me ( this line is added by me, folks. Apologies for disturbing the wonderful lyrics) Now just analyse the first four lines in the song sung by the female voice. How relevant it is and how gratitude has forgotten these lines in that great jasbadwala lyrics. Probably gratitude has a taste for Besura, Bekhayal Gane
tumhAre dil ko kahI.n mujhase kabhI Thes lage
mujhe yakIn hai aisA kabhI nahI.n hogA
mujhe vafAo.n pe apanI ba.DA bharosA hai
tumhArA pyAr hI de jAye nA kahI.n dhokhA
duA ye hai ke tumhArA khudA kI duniyA me.n
mere sivA bhI koI aur ho khudA nA kare
tumhArA chAhane vAlA …
%
Comment by gajanan — February 12, 2007 @ 8:18 am
C.P.Sharma Ji. Thanks you so much for the generosity of offering a treasure of OP’s songs CD. I would love to have it .My address is,
M.Ashraf
76-15, 222nd Street,Oakland Gardens,NY,11364.
Ashraft
Comment by Ashraft — February 12, 2007 @ 11:58 am
I have a double disk ‘Best of OP Nayyar’ album which has some of OPN’s best compositions. If anybody wants to have a copy of it I’ll be delighted to send a copy (free of charge)to any worldwide destination. Please feel free to ask for one if you need.
By the way……could anybody kindly tell me how can I get a copy of the GREAT Mohd Rafi song ‘Main Kab Gaata Mere Swar Me, Pyar Kisika Gaata Hain…..’. It is a non-filmi song written by Anjan. I will be obliged if any of you could come out with any help.
Comment by Abed — February 13, 2007 @ 4:29 pm
The beauty of Nayyar songs was in his orchestration and the plethora of instruments he used in the composition. Nayyar would have 30 to 40 musicians in the recording studio for a single recording. There would be 4 or 5 musicians playing violin, 3 on mandolin, a couple on Spanish guitar, 2 to 3 on flute, a couple on clarinet. In addition he would have the bongos, congas, drums, tabla, dholak, keyboard, piano, harmonium, electric guitar, Hawaiian guitar, santoor, sitar, sarod, sarangi, vina, surling (a modified instrument made only for OP songs (please correct if I misspelled) and I was told that there are only two of such instruments in the world), xylophone, harp, saxophone, jal tarang, and other minor instruments such as maraca, triangle, tambourine, ghungru, wooden sticks, etc.
Check out the song Huzoore Wala from Yeh Raat Phir Ne Aiyagi and Deko Dilbar from Pran Jaye Per Vacchan Ne Jaye. You can easily count 22 to 25 instruments used in these songs if you pay attention to the details. The combination of saxophone, clarinet, violin, guitar, piano, and mandolin is just as amazing as the switchover from the western drum/Conga based percussion to eastern tabla/dholak style from the mukdha to aantra. OP was quite detail oriented which is demonstrated in his use of the smaller and minor instruments. Check out the saxophone, guitar, and piano in the song Deko Dilbar – it’s just fantastic. I’m just too amazed with his musical genius and sometimes wonder how his brain was wired.
- Hemant
Comment by Hemant — February 13, 2007 @ 9:28 pm
Hemantbhai, A genius works in that way.
http://www.downmelodylane.com/opnaiyyar.html
This is good web site . It gives a list of 71 films and a write up.
Comment by gajanan — February 14, 2007 @ 6:31 am
Hello Abed,
Thats a great offer.. Would you like me to post your email add. to enable people to get in touch with you?
Hi Hemant,
Clearly you are someone connected with the music industry or atleast passionate about the finer intricacies of musical composition. I loved your comment. maybe you should dissect a few of your favourite songs by Nayyar Saheb and write of it here, so that we can enjoy your observations of the accompaniments he utilised ever so melodiously. Gosh his songs have such a way of uplifting your mood, no matter how much in the doldrums you seem to be.
Another thing.. you Know Hemant at the time that Nayyar Saheb recorded, the song was ‘taken’ in one go..no ‘punches’ and ‘punchin in’ as is done today. So even a slight mistake by either the musician or singer and the whole exercise begins from scratch. To conduct an orchestra with such fine tuning was commendable. Today the scenario is different,
Comment by kaveetaakaul — February 14, 2007 @ 11:50 am
During the recording session, the musicians at the recording studio respected OP because I believe he was the force behind the system of advance payment to the musicians. The musicians loved him because he generally wrapped the song recording within the first 3 takes and within 3 hours compared to other music directors that took 7 to 8 hours. This allowed the musicians the opportunity to play for another recording on the same day so they could earn more (the musicians I believe commanded an average of about Rs150 per song recording per musician during those days in 1976 - at least that was what I know the guitarist, drummer or the conga player made (quite good in those days compared to the cost of living when gasoline may have been about Rs6 and a masala dosa Rs2, sorry but I love dosa!)
On the day of recording, OP would be very punctual and even be at the studio earlier than the scheduled time. As a fan of his he had invited me to see his song recording in 1976. At the studio when he entered the main front door entrance on the ground floor we could feel his aura and the sensation. He walked fast and took us to the second floor where the recording studio was. After talking a bit and offering us chairs he got to his business. Several new and young musicians that had not played for him before were enthralled and mesmerized by his personality and were touching his feet for his blessings. At the studio he was quick and swift, mingled with everyone including the young musicians, and joked. He completed the song recording very quickly in the third take. After the third take he went to the microphone and announced “Pack-up,” which meant that the recording was finalized and that the musicians were free to pack-up and leave. At this point, the musicians cheered and clapped so happily as if they had never experienced a song recording finalized within the first three takes. Many young and older musicians including the chorus singers were getting his blessings by touching his feet. OP was very friendly with everybody in the studio and had the persona and the appeal that clearly made him the center of attraction.
Robin Chatterjee, the sound recordist in charge of the studio, I recall (having heard in those days), had received intimidation from Lata and Asha about boycotting the studio if they recorded Nayyar’s song. But Robin was firm with his beliefs that everybody had the right to use the studio as long as it was paid for. Robin, as I remember during the recording, was a very cool guy and worked with OP in finalizing the song recording.
O P was humble and accessible to his fans. He was sociable and young at heart. I regret not seeing him lately when I was in Bombay in July 2005 due to the heavy rains that lashed the city. Today, OP is not with us, but his songs and music will always be with us forever.
May god bless you Mr Nayyar.
- Hemant
Comment by Hemant — February 14, 2007 @ 10:42 pm
Hi Kav
My e-mail address is abed9631@yahoo.com. You can pass it around to anybody who’d like to contact me.
By the way-I’m still looking for info about that Rafi song I mentioned in last post.
Comment by Abed — February 14, 2007 @ 10:44 pm
In one of my many telephone discussions with the great man, he mentioned that the skeleton behind most of his songs was very basic - that it ran on four pieces (tukras) eg
- Huzoorwala, jo ho ijazat, to hum ye saray, jahan se kehden
- Sawan ki ghata chayee, ye dekh ke dil jhooma
li pyar ne angrai, deewana hua badal
- balma khuli hawa mein, mehki hui fiza mein
dil chahta hai mera, behekna idhar udhar
- meri zindagi mein apni, chahat ka rang bhardo
meri jaan tumpe sadqay, ehsaan itna kardo
and one can go on and on.
What really happened was that with this simple the song became catchy, hummable and committed to memory effortlessly and you didn’t even know that it happened. Even his situational songs have been immortal.
Take probably the least heard song of Kismet
One Two Three Baby Ya ya Ya, Ya Ya Ya (Asha/MK)
You just have to hear it once and bingo you will never ever forget the tune. Guaranteed!
Now hear out the lyrics of this unheard of gem
“Zara cherr do aisa naghma koi, ke sari fiza gungunanay lagay,
Jo dil ab tak ulfat se anjaan hai, wafa ke taranay sunanay lagay” ( same 4 tukras)
His style, his signature beat, will always be there. Quality was never compromised.
He even recorded a song outdoors to get the right effect. Any guesses here?? Hint: Its a duet.
He has written an amazing number of songs ( specially the mukhras/asthai)himself but let the lyricist take the credit. He once mentioned to me ” How could I ask anyone to write “Kabhi Aar Kabhi Paar Laga Teeray nazar”?
On his looks, I believe Madhubala had asked him seriously many times that he should think of becoming a hero. Don’t know how far that it true, but he had given me a very romantic picture of the two where he is looking at the camera and she is looking at him.
Before I leave you all, here’s another bummer. For one of his films CID 909, he charged more than the hero(Feroz Khan) and the heroine together. He had told the producer this film has no meat in it and you will get the money back only because of the songs. Guarnteed! And we got in that deal
- Yaar badshaah, yaar dilruba
- Dharka to hoga dil zaroor
- Nadee ka kinara ho
- Tera nikhra nikhra chehra
and many others. The film was a moderate success and the director was grateful to OPN.
It will all be there in his biography.
Best,
Siraj Khan
Boston, USA
Comment by Siraj Khan — February 15, 2007 @ 5:20 am
Hemant bhai. the info you have given about Robin Chatterji , must be true, for there is not even a hawa ka zokha from gratitude. Time they say is great healer. Kambakt, even death cannot change the atitude of gratitude. Who requires platitudes, when we have multitudes of fans and well wishers on the web site for OPN.
Comment by gajanan — February 15, 2007 @ 9:47 am
I was a great fan of Nayyar Saheb. Every important juncture of my life had a song which interpreted it so well. I have a huge collection of his numbers. But after coming here I feel as if a family is getting developed.Joined with his tunes and melodies. Its really a lot of information I am getting here..How can Nayyar saheb ever die now! It is true he will always live beyond the physical plane.
Comment by krishnan — February 15, 2007 @ 1:05 pm
I cannot begin to explain how wonderful my mornings feel when I sit in front of my computer, hands cupped under my chin, a smile playing, coffee long gone cold, and read through the wonderful comments posted here. I can as if transport myself into Nayyar sahebs world so vividly. Thanks so much .
@ Hemant..you mentioned in the previous post about the plethora of instruments used by Nayyar saheb. How did he then manage to synchronise them all in just 2-3 takes? Were there extensive rehearsals prior to that? Or was it just that the musical score for each was written and handed over. I am really curious to know. And you have been truly lucky to have actually attended one of his recordings and seen the genius at work!
‘Huzoore-e-wala’ remains a favourite and the instruments embellish the song wonderfully. I have never heard of the ’surling’..but will want to find out more on it now.
Ofcourse one can imagine the mesmerising quality of his demeanour. In fact I had met him at a premiere, and can recall clearly his ever smiling countenance, regal air and aura of confidence he carried off so well..inimitable actually. And yes.. he was the highest paid and often the recipient of angry and jealous remarks as well from envious colleagues.
I also have heard of the ‘boycott call’..but Talent finds its patronisers and audience. It is like the rays of the sun, which will peep through at the smallest gap amidst dark clouds, with its brilliance intact..I guess the much like the ‘Om’ and ‘Prakash’ of his name.
Please tell us more,
Comment by kaveetaakaul — February 15, 2007 @ 1:40 pm
@ Abed..Thanks . I guess your e mail’s there now for all to see and those interested will get in touch with you.
Also your query on Rafi sahebs song..I have asked a few knowledgable ones and its posted here as well.. hopefully soon the answer will come through. This space is converting into a Wiki for Nayyar Saheb and it thrills me no end.
@ Siraj Saheb..as usual the tidbits from you are so invigorating.
About the four ‘tukras’ is fascinating. I find myself in spare moments dissecting it thus on all his songs.
However I am intrigued. Was this the &